in summer, we sat in front of la nonna's house. someone ended up laying in the road.
the headlights illuminated our raw faces. i don't remember the first time he made
me bleed, but i remember fainting in the shower. he apologized for days, as if a
doll had broken. la nonna threw plastic fruit at me and called me a whore through
sand covered blue blankets.
in fall, the radio was always on in the dentist office and someone outside was screaming
bad romance as my mother wrote a check for my rotting gums. i wanted to take the chains
that hung from his pants and strangle my heart in two. one piece for the woman behind
the desk, and one piece for no one. escaping up the brick wall was out of the question. once
someone invented brick walls, and so nothing mattered unless you considered its history.
in the school yard, their legs dangled delicately below short pleated skirts, their lips pierced
in anticipation, their insides plump now, like the purple necks of peacocks. this can't be dangerous.
Laura Marie Marciano is a multi-discipline artist who works to integrate visual and relational aesthetics into her writing. For example, she would like you to imagine what this bio might read as if it were constructed out of large pink balloon letters floating in a field in southern Rhode Island. She holds an MFA from Brooklyn College and is an adjunct professor at Fairfield University. She’s 26 and lives in Brooklyn. This blog is 7yo. get it girl. contact: @lolakath solarprocess@gmail.com